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BAFICI 2012: WOMAN IN THE SEPTIC TANK BY MARLON RIVERA AND CHRIS MARTINEZ (ENG)

for desistfilm: Mónica Delgado Festival films have practically become almost a genre of their own. And it is exactly within the tracking of these commonalities that debutant filmmaker Marlon N. Rivera realizes this comedy about a producer, a director and an assistant that seek to make “the independent film”, a work to become a triumph…

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BAFICI 2012: ANG BABAE SA SEPTIC TANK DE MARLON RIVERA Y CHRIS MARTINEZ (SPA)

para desistfilm: Mónica Delgado Prácticamente, las películas de festivales se han convertido en casi “un género aparte”. Y en ese rastreo de sus lugares comunes es que el debutante Marlon N. Rivera, realiza esta comedia sobre un productor, un director y una asistente que buscan hacer “la película” independiente, que salga triunfadora en festivales de…

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BAFICI 2012: THE SEARCH FOR EMAK BAKIA BY OSKAR ALEGRÍA (ENG)

for desistfilm: Mónica Delgado In “La Casa de Emak Bakia”, the filmmaker’s purpose seems to be to capture the search of the house which inspired Man Ray’s short Emak Bakia, filmed in 1926. Alegría moved to Biarritz, near the Spanish frontier, with just some photos, investigations about the short film’s name and the house in…

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BAFICI 2012: LA CASA DE EMAK BAKIA DE OSKAR ALEGRÍA (SPA)

para desistfilm: Mónica Delgado En “La Casa de Emak Bakia” se propone grabar la búsqueda de la casa que inspiró el corto Emak Bakia de Man Ray, filmado en 1926. Se traslada a Biarritz, cerca a la frontera con España, teniendo como únicas pistas algunas fotos, investigaciones sobre el nombre del corto y la casa…

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BAFICI 2012: THE DAY HE ARRIVES BY HONG SANG -SOO (ITA)

for desistfilm: Lea Liotine wait patiently for the english version, thanks.   Il regista Jean Renoir ha detto una volta ‘a director makes only one movie in his life. Then he breaks it into pieces and makes it again’. Sembra che Hong Sang-soo stia seguendo alla lettera questo  precetto dai tempi di  Like You Know…

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BAFICI 2012: 10+10 -VARIUS (ENG)

for desistfilm: Lea Liotine I anticipated this film with the highest expectations, not only because it was a potpourri of twenty-five minute shorts by many established and emerging Taiwanese directors, including the master himself Hou Hsiao-hsien, but also because it was commissioned by the Taipei Golden Horse Film Festival to celebrate the 100th anniversary of…

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